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Arnold, J., & Bel, B. A scientific study of north Indian music. NCPA Quarterly Journal, XII (2-3), 39-54. Bharat (1967). Natyashastr (Manmohan Ghosh, Ed.,1-2). Kolkata: Manisha Granthalaya. Bhatkhande, V.

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(1920, 1979). Hindustani sangeet paddhati:Kramik pustak mala (I). Hathras: Sangeet Karyalaya. Bhatkhande, V. (1920, 1952).

Hindustani sangeet paddhati: Kramik pustak mala (II). Mumbai: Ramabai Bhatkhande. Bhatkhande, V. (1920, 1999).

Hindustani sangeet paddhati: Kramik pustak mala (III). Hathras: Sangeet Karyalaya. Bhatkhande, V. (1923, 1976).

Hindustani sangeet paddhati: Kramik pustak mala (IV). Hathras: Sangeet Karyalaya. Bhatkhande, V. (1937, 1974). Hindustani sangeet paddhati: Kramik pustak mala (V). Hathras: Sangeet Karyalaya. Bhatkhande, V.

(1937, 1978). Hindustani sangeet paddhati: Kramik pustak mala (VI). Hathras: Sangeet Karyalaya.

Bor, J. (1986-87). A scientific study of north Indian music. NCPA Quarterly Journal, XV & XVI (3-4 & 1), 1-183. The Raga guide: A survey of 74 Hindustani ragas.

UK.: Nimbus Records with Rotterdam Conservatory of Music. Brihaspati, K. Bharat ka sangit siddhant. Uttar Pradesh: Prakashan Shakha Suchana vibhag. Ragas and raginis.

Delhi: Munshiram Manoharlal Publishers Pvt. Jairazbhoy, N. Rags of north Indian music: their structure & evolution.

Mumbai: Popular Prakashan. Kaufmann, W. (1968).

The Ragas of North India. New Delhi: Oxford & IBH Publishing Co. Reprinted 1993. Hindustani tala. In Garland Encyclopedia of World Music (Vol. 81-116). New York: Routledge.

Intonation in north Indian music. New Delhi: Biblia Impex. Matang (1992). Brhaddeshi (Premlata Sharma, Ed., 1-2). New Delhi: Indira Gandhi National Centre the Arts. Motilal Banarsidas) Nanyabhupal (1984).

Bharatsbhashya (B. Kolkata: Published by Manipuri Nartanalaya.

Narad (1978). Sangit makarand (L. Garg, Ed.). Hathras: Sangit Karyalaya. (1971, 1975). Aprakashit rag (1-3).

Hathras: Sangeet Karyalaya. Patwardhan, V. (1937, 1970). Rag vidnyan (II). Patwardhan, V.

(1939, 1962). Rag vidnyan (V). (1958, 1964) Rag vidnyan (VI). Rag vidnyan (VII). India, subcontinent of.

In The New Grove Dictionary of Music and Musicians (Vol. London: Macmillan.

Powers, H., & Widdess, R. Theory and practice of classical music in Oxford Music Online from Ranade, A. Keywords and concepts.

New Delhi: Promila & Co. Rao, Subba (1956). Raga nidhi (I). Rao, Subba (1964). Raga nidhi (II). Madras: The Music Academy.

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Rao, Subba (1965). Raga nidhi (III).

Madras: The Music Academy. Aesthetics of Hindustani Music: An Acoustical Study. Marseille: Acts of Colloque International Musique et Assistance Informatique. Rao, S., & van der Meer, W. The construction, reconstruction and deconstruction of shruti. Bor et al.(Eds.), Hindustani music – thirteenth to twentieth centuries (pp.

New Delhi: Codarts & Manohar. Acoustical perspective on raga-rasa theory, New Delhi: Munshiram Manoharlal Publishers Pvt. Ratanjankar, S.

Carnatic Sangeet

Shruti as a unit of measurement of musical intervals. Ambardekar et al (Eds.). Commemorative Volume for S. Ratanjankar (pp.226-228). Roy Choudhury, V.

Rag vyakaran. New Delhi: Bharatiya Jnanpith Prakashan.

Ruckert, G., & Widdess, R. Hindustani raga. In Garland Encyclopedia of World Music (Vol. 52-80). New York: Routledge. Musical bow. In The New Grove Dictionary of Music and Musicians (Vol.

London: Macmillan. Kanada ke prakar, Mumbai: the author. Bhairav ke prakar (K. G Ginde, Ed.). Hathras: Sangeet Karyalaya. Malhar ke prakar, Mumbai: the author.

Sharangdev (1991, 1996). Sangit ratnakar (R.

Sharma, Trans. New Delhi: Mumnshiram Manoharlal Publishers. Sharangdev (1975). Sangit ratnakar (G. Tarlekar, Trans.). Mumbai: Maharashtra Rajya Sahitya Sanskriti Mandal. Rasa theory and Indian music.

Sangeet Natak 16 (April-June), 57-64. Raga and rasa. Report of Twelfth Congress of the International Musicological Society, Berkeley, 528-530. The concept of rasa.

In Aspects of Indian Music. New Delhi: Ministry of Information and Broadcasting. (1877, 1982). Six principal rag-s.

Delhi:Neeraj Publishing House, Delhi. Taittiriya Upanishad (1923). Pansikar (Ed.).

Mumbai: Nirnayasagar Press. Kalpana sangit, Kolhapur: J. Naik, Kolhapur.

(1938, 1977). Mumbai: Pt Omkarnath Thakur Estate. (1938, 1975). Mumbai: Pt Omkarnath Thakur Estate.

(1956, 1979). Mumbai: Pt Omkarnath Thakur Estate. Varanasi: the author. Varanasi: the author.

Thakurdas, M. (1987, 1988). Rag darshan (I-II).

Ajmer: Published by Krishna Brothers. Van der Meer, W. Hindustani music in the 20th century. The Hague: Martinus Nijhoff Publishers. Van der Meer, W. Theory and practice of intonation in Hindustani music. In The Ratio Book, C.

Koln: Feedback Papers. T he ragas of early Indian music: modes, melodies and musical notations from the Gupta period to c.1250. Oxford: Clarendon Press.